Boca de Chorro, New Mexico 2017
Walking, I followed the road at first. With consideration of my bellowing fear, I followed the paw prints. Until I felt, I was being watched, too intensely. These lands are caustic, and full of life.
Boca de Chorro & Saxe-Patterson, Taos, New Mexico. 2017
The gardens were surrounded by long islands of blades standing in crescendo. Trees emerged, and bled into the grass.
Boca de Chorro & Saxe-Patterson Taos, New Mexico 2017
When we escaped the ceramics studio that day, I was already on my way to frustration. As they talked about the semantics of a home, I moved into the wild that was only a few feet away.
Boca de Chorro, New Mexico 2017
It was dinner time, and I left. I left them to be with each other. The sun was no longer yanking the souls from the shadows, instead the soft caress had begun. I missed nothing. I was not missed.
Boca de Chorro, New Mexico 2017
In the end, I walked for hours. I finally had cowboy boots, so I no longer trailed the savage needles with my skin. The afternoon was long with a storm. Rap music sent periodic warnings of the other human within the hundreds of acres of no one. I was safe deep below in the Arroyo de Chorro when I found her. Withstanding, the past and promise of flash currents.
Boca De Chorro. New Mexico 2017
Walnut, Sumi, Vermillion & Graphite.
Boca De Chorro. New Mexico 2017
Walnut, Sumi, Vermillion & Graphite.
Boca De Chorro. New Mexico 2017
Walnut & Graphite.
Boca De Chorro. New Mexico 2017
Walnut, Sumi, Vermillion & Graphite.
Boca De Chorro. New Mexico 2017
Walnut, Sumi & Graphite.
Boca De Chorro. New Mexico 2017
Walnut, Sumi, Vermillion, Graphite & Oil Pastel.
Saxe Patterson. Taos, New Mexico & Walla Walla, Washington
Ceramic, 23 Karat Gold, Graphite and Acrylic.
2017
Saxe Patterson. Taos, New Mexico & Walla Walla, Washington 2017
Ceramics, Graphite and 23 Karat Goldleaf
Saxe Patterson. Taos, New Mexico 2017
Ceramic